Among the eclectic mix of timepieces on show at SIHH 2012, one model stood apart among the polished glass cases, for it was itself encased in a transparent and polished watchcase – the Richard Mille RM 056 Felipe Massa Sapphire – backlit, sidelit and extremely tricky to photograph it caused quite a commotion, not only for its technical ability but also for its unattainable price tag.

The piece has a case constructed entirely from sapphire, which although tough and scratch-resistant in its finished form is a precarious material to work with.  Each case is measured in the time given to its construction – 1000 hours, with 430 hours taken to make the case components and 350 hours on the polishing process of each tripartite case, not including the bits which must inevitably have ended up in the reject pile and the years of research and development which were invested in bringing this vitreous piece of horological anatomy to life.

Inside is the RM 056, a manual winding tourbillon with hours, minutes, chronograph split seconds and both power reserve and torque indications, a movement which, based on the RMCC1 had to shed 20% of its weight in order to be suitable to power this extraordinary piece even though skeletonisation would reduces it to its bare bones.  No strangers to weight-reduction, the designers at Richard Mille had to create over 400 new parts in the creation of this calibre.

It’s even water-resistant to 50m thanks to the inclusion of 2 rubber nitril seals and just in case you’d dare to let more than a droplet of water near it the screws used to assemble the case are made from grade 5 titanium with steel washers.

The Richard Mille  Tourbillon Split Seconds Competition Chronograph RM 056 Felipe Massa Sapphire is a limited edtion of just 5 pieces, which incidently were all sold by day two of SIHH  2012.

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Popularity: 4% [?]

Chronoswiss, the Munich-based watch company founded by Gerd-R Lang has been sold.  A 100% takeover has been agreed and the new owner is reported to be a Swiss investor.  Recognisable by their out-size “onion” crown, Chronoswiss timepieces are also known for their outstanding attention to detail and innovative mechanical movements.

Having spent his formative years at the watchmakers bench as an apprentice, Gerd-R Lang worked his way across the industry. On serving his apprenticeship, he found employment with the Heuer watch company where he served from 1964 working on the famous Heuer sports chronographs and stopwatches.

Following the death of its’ Patron, the Heuer brand had struggled for some years, and it was this period of instability (ultimately culminating in the takeover by Technologies d’Avant-Garde later in 1984) which triggered G-R Langs’ departure, taking with him in lieu of severance a stock of Heuer chronograph movements.

In 1980, having returned to further study his profession in Würzburg, Gerd-R Lang emerged with his new title of ‘Master Watchmaker’ and immediately commenced setting in place the corner stones for what would, in a few short years, become Chronoswiss.

Gerd-R Lang’s passion for mechanical watchmaking during a time when the industry had turned “quartz” produced a series of remarkable timepieces including the Chronoswiss Régulateur and Chronoswiss Sauterelle models.

Having moved into a new purpose-built facility in Karlsfeld, Munich in 2006 the long term future for Chronoswiss appeared to be extremely positive.  At this time it is not clear if financial difficulties are responsible for the re-sale of the brand or if the Lang family simply wish to turn away from watchmaking, whatever the reason for this news, we at The Watch Press wish them every success in the future.

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Popularity: 6% [?]

Just released are details of the Maurice Lacroix Masterpiece Lune Rétrograde 2012.   The aptly named Masterpiece series is the “Flagship” of the brand’s portfolio and this superb Lune Rétrograde is a showcase piece within a showcase collection.

When it comes to dial design Maurice Lacroix are virtuosos.  Few brands can integrate multiple displays while maintaining dial elegance, Maurice Lacroix can.  Few brands can enliven a dial with multiple retrograde displays while maintaining an uncluttered dial, Maurice Lacroix can.  At Baselworld 2012 the Masterpiece Régulateur Roue Carrée caused quite a fuss with its unusual dial which displayed the hours through the use of a remarkable openworked square wheel – the piece went on to win a Red Dot Design Award, much publicity followed, yet this is a watch brand largely ignored by other watch knowledge websites. Why?  I know not.  These are superbly built timepieces powered by increasingly innovative in-house calibres.

This piece features not only the arcs, recesses and retrogrades you would expect to find on  a beautiful Masterpiece dial, but also that most compelling of features – the moonphase complication.  Located at 6 o’clock it is awarded a deservedly ample portion of the lower dial and it cleverly combines with a day of the week indication and revolves on an inky background reminiscent of the night sky.

At 10 o’clock is the retrograde date display with a power reserve display at 2 o’clock, enhanced by a graduating series of applied markers.  The central hours and minutes hands are eye-lash slim, elongated and embellished with a diamond finish.

Three versions will be available, black gold, navy blue or silver dial, all based on a solid silver plate and with rhodium diamond-cut applied markers for the black gold and navy blue editions and pink gold for the silver dial.

Following on from last year’s first Masterpiece automatic calibre, this one will also be powered by a new self-winding calibre, the ML192 with a power reserve of 52 hours.

The Maurice Lacroix Masterpiece Lune Rétrograde comes presented on a matching hand-stitched crocodile leather strap.

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Popularity: 3% [?]

On display at Baselworld 2012 will be the Konstanin Chaykin Mystery watch, the latest timepiece from the Saint Petersberg-based Master Watchmaker.  If you are lucky enough to view it, you may leave the booth a little perplexed…and with a few questions – What drives the hands…..?  Where is the calibre…?  How did he do it…..?

Konstantin Chaykin has a knack for creating timpieces which amaze, confound and confuse.  His Lunokhod watch is one of the most striking pieces you are ever likely to see.  It was first produced in grainy, manly wootz and its latest edition is encased in gold – but this is a watch which even the most precious of metals cannot tame, it is as arresting as ever.

The Mystery watch could not be more different than the Lunokhod, it is elegant, classical and understated – with this piece the appeal lies not with what you can see, but with what you cannot.  In fact, most of the dial contains absoutely nothing, it is transparent.  Like the Mystery Clocks which have amazed on-lookers for generations, this piece features “floating” hands, and a calibre which has been compacted and concealed, this is micro-deception at its finest.

With this piece, the mechanisms are hidden beneath the rim of the watchcase.  The large atypical transparent section dominates the dial, on it the hands rotate on clear discs, driven by a covert system of miniature gears to great illusory effect.  On the right are applied graduating Roman Numerals.   Within the confines of the rim, the Watch Maker has even managed to integrate the additional components required for the moonphase indicator, a Chaykin speciality, which is  located at 3 o’clock.

Two versions of the Konstantin Chaykin Mystery watch will be available, red gold and white gold  and the piece will be presented on a hand-stitched black alligator strap.

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Popularity: 3% [?]

Roger Smith has been awarded the British Horological Institute’s Barrett Silver Medal, their highest honour, for his “Dedication to and successfully continuing the finest traditions of English Watchmaking”.

In his acceptance speech, Roger recalled his days spent as a student at Manchester’s School of Horology, where he quickly realised that he “had been gripped by this fascinating and multi faceted occupation of horology”.  In 1989 Roger received another BHI accolade, the Bronze Award for “The Most Outstanding Student of the Year”.

Roger Smith creates handmade, unique timepieces which are known by collectors throughout the world for their outstanding and meticulous attention to detail.  Famously inspired and mentored by the late George Daniels, Roger was himself chosen by Mr. Daniels to collaborate with him on the Co-Axial Anniversary Wristwatch series.  British Watchmaking is experiencing something of a renaissance at this time and Roger Smith is one individual who has been credited with raising the profile of what was once considered to be a “lost” skill.  It is perhaps quite appropriate then that those present to hear Mr. Smith speak on receipt of this award were new BHI members and recently successful exam candidates who Mr. Smith referred to as the “future face of British Horology”.

More information on the British Horological Institute here.

Popularity: 1% [?]

Due to be officially unveiled at Baselworld  2012 is the  Blancpain Villeret with Flinque Lacquered Dial.  With this piece, not only do you get the superb textured guilloché finishing with its waves and undulations, but also a neritic depth achieved by building up layer upon layer of applied blue lacquer.

The Villeret Collection is not to be fiddled with. Recognisable by it’s big flat face and barely-there bezel it is a dial which begs to be decorated, and this one with its translucent blue lacquer applied over several layers adds both freshness and beauty.

Everything about this watch is slender.  On that unambiguous dial are skinnied but shapely Roman numerals resting right at the dial-edge and elongated eye-lash slim hands.  A perfect litttle retrograde seconds display is at 6 o’clock, providing a nucleus for the on-dial guilloché work.  An erratic but elegant serpentine hand doesn’t just point to the date, it cups each day of the month seductively as it circles the dial – superb.  The svelte watchcase measures 40mm across and is constructed from white gold.

Inside is the ultra-slim Calibre 7663Q self-winding movement with three days of power reserve and a guilloché rotor viewable through the sapphire crystal caseback.  Notable is the fast date adjustment via an under-lug corrector at 5 o’clock.

The Blancpain Villeret with Flinqué Lacquered Dial comes presented on a matching alligator leather strap.

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Popularity: 3% [?]

Something special from Glashütte’s first watchmaking company is the A. Lange & Söhne Lange 1 Tourbillon Perpetual Calendar watch, unveiled at SIHH 2012.

Tourbillons are tricky little things.  Their creation requires the skills of a Master Watchmaker.  Their number of components can be counted in the hundreds.  Their construction can be measured in hours spent at the bench.  A tourbillon is a highly prized addition to any fine wristwatch and will animate any watch dial – normally appearing in its own aperture, many tourbillons even go for dial domination, the main feature  – and one which you will be proud to show off.  Not so this watch, so determined to protect the instantly recognisable Glashütte dial arrangement, A. Lange & Söhne have relegated the tourbillon of this piece to the back – in order to admire it you will need to remove it from your wrist and turn it over.

A. Lange & Söhne produce some of the best high-end handcrafted timepieces available  with meticulous attention to detail and manufacture calibres housed in cases made from precious metals,  these are wristwatches for connoisseurs.  How very “Lange” of them to unveil a new piece with not only a tourbillon which is discreet, but also a perpetual calendar, cleverly integrated and using a rotating peripheral month ring which is so subtle it is almost imperceptible.

For this piece, the brand’s tenth Masterpiece, Lange have re-worked the indications but each retain their individual portion of the dial as before.  On the right are the hours and minutes, opposite is a day of the week retrograde display, below this is a combined moonphase indicator and small seconds subdial and the outsize double date aperture, synonymous with the brand is at 10 o’clock.  The rotating month ring is a world first, on its underside is an ingenious mechanism featuring recesses for each month’s variations.  No adjustment will be required until March 1st 2100 which as a “quirk” of the Gregorian calendar will be a secular year. Furthermore, all the displays change instantaneously.

Displaced it may be, but the one-minute tourbillon, viewable through the sapphire caseback has not been neglected.  Housed in a filigreed cage, it features a patented stop-seconds mechanism ensuring precise time re-setting to one-second accuracy.  The Manufacture L082. self-winding calibre has a substantial 21 carat gold engraved rotor which makes optimum use of each wrist motion to quickly restore power reserve to the maximum 50 hours.  As you would expect from an in-house Lange movement, decoration is to the highest standard.

A. Lange & Söhne Lange 1 Tourbillon Perpetual Calendar is presented in a 41.9mm “Grande” case, constructed from 18 carat pink gold, also available is a 100 piece platinum case limited edition.

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Popularity: 4% [?]

Recently unveiled are images and details of the Vacheron Constantin Métiers d’Art – Les Univers Infinis series, inspired by the work of Dutch artist M.C. Escher, who was in turn inspired by Moorish art.  He favoured repeated graphic patterns indicative of order, symmetry and geometry.  Vacheron Constantin take inspiration from the repeated tiling technique of “tessellation” to produce some of the most striking and expressive timepieces presented at SIHH 2012.

Artists need patronage.  Many of the great Masterpieces would not exist today if their impoverished creators had not received some sort of support and subsidy from well-heeled proponents.  Picasso, for example famously burned sketches, which would now change hands for considerable sums of money, simply to stay warm.  In the world of horology Vacheron Constantin are established advocates of traditional applied arts, skills which would could easily disappear in an industry becoming increasingly high-tech – it is firmly entrenched in their philosophy and each year this dedication gives rise to new Métiers d’Art timepieces to add to an already rarefied collection.

To produce each piece involves the combined skills of a team of craftsmen, such is the variety of techniques involved – hand-guilloché, cloisonné enamelling, champlevé enamelling and gem-setting – teamwork which often involves each exquisite dial moving back and forth from bench to bench as each artisan completes his individual painstaking part of the process.

The Dove watch features hand-guilloché work in its final phase of craftsmanship – a technique not often attempted due to its degree of difficulty – and one bird in this ethereal scene has been diamond-set with 38 brilliant-cut stones.  The Fish watch features cloisonné enamelling, achieved by first marking each outline using fine gold wire before the enamelling process.  The Shell watch features champlevé engraving – each field is hollowed out individually before the enamelling work is added.

Each piece is housed in a 40mm 18kt gold case.  Inside is the Vacheron Constantin manufacture Calibre 2460SC with 40 hours of power reserve.

Each Vacheron Constantin Métiers d’Art Les Univers Infinis will be a limited edition of 20 pieces for each model.

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Popularity: 2% [?]

This is the Girard-Perregaux Laureato Tourbillon with Three Bridges – beautiful isn’t it?  It is a superb combination of titanium, platinum and lucent sapphire – reassuringly exclusive, only ten will be made.

The first piece in the collection, the  “Tourbillon Sous Trois Ponts d’Or”, designed by Constant Girard-Perregaux was awarded a gold medal at the 1889 Paris Universal Exhibition – a deserving accolade.  This was a dramatic timepiece which literally turned the movement inside-out so the wearer, or on-looker could view the barrel, the gear train and the tourbillon at a glance, face-on.  Each of the mechanisms were beautifully aligned on the same axis on, now instantly recognisable arrow-headed bridges.  It’s been a feather in Girard-Perregaux’s horological cap ever since and few watch buffs would fail to spot one across a room.

The Girard-Perregaux Laureato Tourbillon blends the old with the new.  A subtle satin-brushed and polished octagonal bezel made from platinum adds character to the rounded case.  Chunky lume-coated hands rest atop the middle bridge for the mainplate, which is guilloche decorated.  At 12 o’clock is the barrel bridge and the tourbillon bridge is at 6 o’clock.

Such a sporty representation will not be to everyone’s taste, many aficionados will, no doubt be displeased, but even the most ardent fans cannot ignore the fact that the three “blue spinel” bridges ensure a clarity unattainable with the more conservative gold editions. Inside is the Girard-Perregaux 9600-0004 automatic movement with 48 hours of power reserve.

The Girard-Perregaux Laureato Tourbillon with Three Bridges comes presented on a titanium link bracelet.

Like a classically styled Girard-Perregaux? Here’s some related articles….

The excellent Girard-Perregaux 1966 Blue Dial Chronograph

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Popularity: 3% [?]

Just unveiled at SIHH 2012 is the Greubel Forsey Tourbillon 24 Secondes Contemporain.

Robert Greubel and Stephen Forsey are perhaps best known for their development of the tourbillon.  Not content with its “traditional” arrangement, they stubbornly tinker with it, and in doing so have created some of the most innovative and exquisite tourbillon watches you are ever likely to see.

The Tourbillon 24 Secondes Contemporain timepiece is technically accomplished, technically superb and er…. very blue.  Now, there is more than one kind of “blue” used in the creation of beautiful watches – there is the Maurice Lacroix kind of blue, sensible and conservative even when sun-brushed; there is “vintage” blue as used by Girard Perregaux for their 1966 Blue Dial Chronograph … intensely vivid? that would be De Bethune “blue”.  Greubel Forsey’s blue is an all-consuming kind of blue – and not content with simply creating a blue dial, they have oxidised the plates and bridges so it’s eye-piercing inside and out.

There is an extraordinary depth to this watch – it is truly three-dimensional.  The lively tourbillon is “elevated” on its sapphire bridge at an incline of 25 degrees, the hands with their distinctive ample, chunky arrow-tips rise proudly from the lower reaches of the dial.  The only numeral, the number 12 is chunky, block-styled and pokes out, clearing a space between layers of sapphire.

As a counterbalance to all that synthetic stuff, the small seconds dial and the power reserve indicator are made from gold.  The titanium plate and bridges of the movement have been oxidised, resulting in that stunning shade of royal blue, before undergoing hand finishing by some of the most picky craftsmen in the business.  The tourbillon alone has 88 parts, is housed in a titanium cage and completes each revolution in a mesmerising 24 seconds.

Such a nobel watch deserves a worthy case and Greuble Forsey choose platinium – this piece measures 43.5mm across and features domed sapphire front and back.

Greubel Forsey Tourbillon 24 Secondes Contemporain will be a limited edition of 33 pieces.

More tourbillons and other terrific, technical stuff from Greubel Forsey -

The Greuble Forsey Double Tourbillon 30° Edition Historique

The Greubel Forsey GMT – Educates, Captivates, Indicates …

Popularity: 2% [?]

Hermès unveil two new, and very unique pieces at SIHH 2012, the Hermès Arceau Marqueterie de Paille.

The Parisian luxury goods brand launched its first proprietary movement in 2008, an indication that the brand were serious about watchmaking – a commitment which has paid off, at the Geneva Watchmaking Grand Prix in November the prize for “Best Men’s Watch” went to the Hermès Arceau Temps Suspendu.  Fleurier-based Vaucher are partly owned by Hermès, so that’s the mechanisms sorted – the aesthetics?  well you wouldn’t expect anything produced by La Montre Hermès to have even a shred of shoddiness and these new pieces, with their sublime dark blue hand-crafted dials are outstanding.

Rye straw, grown in just one location (a farm in France) is harvested and coloured on site before arriving at the workbench of some talented and extemely patient Artisans.  The miniature pattern is assembled on paper before being applied to the watch dial.  Expect natural variations, expect each one to be unique.  A showcase technique deserves centre stage, so the sloping numerals normally found on an Arceau dial have been removed and the brand’s logo is etched straight onto the inside of the crystal.  Inside is the H1928 Vaucher Manufacture self-winding calibre with 55 hours of power reserve.

The superb Hermès Arceau Marqueterie de Paille comes presented on a matching indigo blue alligator leather strap.

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Popularity: 3% [?]

This is the Jaeger-LeCoultre Duometre à Spherotourbillon, one of the most remarkable new watches unveiled at SIHH 2012.  It features a compendium of indications, all beautifully arranged on the right side of the dial, but these pale to insignificance – what really draws you in is the superb tourbillon over on the left.

This is a perfectly proportioned dial, the hours and minutes subdial is encircled by a date indicator, above and below it are two power reserve indicators, one for functions, the other for the movement and just to the left of these, above and below, are a 24-hour second time zone dial and a small seconds display.  That Jaeger-LeCoultre’s designers still manage to maintain elegance and clarity while offering so much, is a testament to their skills, but in this case it is imperative that the  left side of the dial is uncluttered, for a tourbillon such as this one demands both space and attention.

This is a double-axis tourbillon – a tourbillon within a tourbillon, both of which rotate at different speeds.  Housed in titanium and inclined at a 20 degree angle, the inner inclined carriage completes a revolution in just 15 seconds, while the entire tourbillon mechanism completes a revolution in 30 seconds, a compelling spectacle, worthy of its generous sapphire panorama.

Also, the piece has an unusual, useful feature – the seconds hand can be reset without stopping the balance wheel or the tourbillon – simply pull out the crown and push on the flyback button at 2 o’clock – I say “simply” but this is an extremely ingenious and complicated function, which ensures precision resetting whilst not compromising the amplitude of the movement.

Inside the Jaeger-LeCoultre Calibre 382 has twin spring barrel construction ensuring generous power reserve of 50 hours, and the meticulous hand finishing now expected from the very special Duometre collection.

Jaeger-LeCoultre Duometre à Spherotourbillon comes presented in a 42mm 18 carat rose gold case.

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Popularity: 9% [?]

Just released are images and details of the Audemars Piguet Royal Oak Jumbo for 2012, a piece which will mark the 40th anniversary of the Royal Oak collection.  For fans of the brand, and in particular the Royal Oak, it will come as no suprise – but will, perhaps cause much relief -  that to celebrate AP have more-or-less made this one as much like the original as is horologically possible.

Not sure what the fuss is all about?  Well it is the Royal Oak models which have made Audemars Piguet the world renowned brand that it is today. The late Gerald Genta, a designer of consummate importance to the industry penned it, along with some of the other watches you have a hankering for – the Nautilus, Omega’s Seamaster and IWC’s Ingenieur.  When it was released in 1972, it caused many to question its bold styling, integrated bracelet and the fact that it was pricey despite being made from stainless steel.  The Royal Oak models became vital to the success of the brand – without it many believe that Audemars Piguet would not exist today and Rory, Darren and the lads would be wearing Rolex.  Still in production today, although notoriously difficult to buy, the 2012 piece will be  highly desirable.

For 2012, the dial of the Royal Oak is restored to its original arrangement – most notably the AP logo is repositioned from 12 to 6 o’clock and the textured dial decoration has been tightened up.  The model will be known as “reference 15202″ which will also meet with widespread approval.

The 2012 Audemars Piguet Royal Oak Jumbo Ref 15202 will be available in stainless steel and rose gold editions.

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F

Popularity: 3% [?]

New for SIHH 2012 is the Jaeger-LeCoultre Deep Sea Vintage Chronograph, inspired by JLC’s Memovox Deep Sea wristwatch – more “chronograph” than “deep sea”  … but don’t let than put you off, it’s very “vintage”.

In the 1950′s, deep sea diving was more a military than a recreational activity but a diver then had the same basic requirements as divers have today, in order to survive each dive – the ability to time his dive was vital  … so of course, a wristwatch made for divers had to be able to withstand the depths.  No benchmarks or legal standards had been defined but a few pioneers developed life-saving inventions which remain features of modern-day divers watches.  Doxa, one of our favourites produced unique unidirectional rotating bezels and along with Rolex developed a helium release valve to prevent horological implosion.  Blancpain worked along with elite French Navy divers, bringing to market the Blancpain Fifty Fathoms, still a strong part of their portfolio.  The Jaeger-LeCoultre Memovox Deep Sea of 1959 also had a unique selling point – it had an alarm, a dependable little reminder of time elapsed underwater.

The Deep Sea Vintage Chronograph is essentially just a chronograph and not a deep sea divers watch, but it replicates the aesthetics of the 1959 Memovox superbly. You won’t mind that its chunky bezel is fixed, you won’t mind the fact that if you take it deeper than 100m it will desintegrate, you won’t mind that it’s not really a divers watch at all, you will forgive its inadequacies and choose it for its looks alone.

The steel case measures 40.5mm across with traditional plexiglass used in place of sapphire.  On the matt black textured dial, the lume has a “patina” – a hint of orange just like the 1959 piece and on the back is an authentic engraving of a frogman surrounded by bubbles.  All very retro, but skin deep is not the whole story, inside is the thoroughly modern automatic JLC Calibre 751G hand decorated movement with 65 hours of power reserve.

The Jaeger-LeCoultre Deep Sea Vintage Chronograph comes presented on a tactile embossed black calfskin leather strap.

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Popularity: 5% [?]

New for 2012 is the Bremont ALT-1 WT, the brand’s first World Timer watch.

When a watch company describes its new watch as “wonderfully over-engineered” you just know it will be something special…. and the Bremont boys know a thing or two about engineering.  In just ten years they’ve built a portfolio of well designed pieces with more than a few ingenious features – trick case construction means each piece is virtually indestructible, each Bremont watch undergoes the horological equivalent of boot camp, hence the aphorism “Tested Beyond Endurance” and each piece in their collection is COSC chronometer tested and certified – these are small series, precision timekeepers created by a watch company with an unstuffy attitude to the industry and a refreshing enthusiasm and self-belief.

The Bremont ALT1-WT is a “civilian” edition of the C-17 Globemaster, a watch only available to pilots and ground crew of the indomitable C-17 Globemaster 3, a piece which displayed locations on its bezel which represented C-17 landing zones – useful and quite appropriate for military wearers, a curious quandary for those not in the “know”.  The latest piece keeps all the features which made the squadron watch special – the metal dial with its globe background, the trapezoid date window inspired by the “Head Up Display” of the Globemaster and of course the build quality – the rotating “Roto-Click” inner bezel, operational via the crown at 8 o’clock has integrated ball bearings ensuring a smoothness you won’t find anywhere else and a reassuring “click” as each minute is turned and the “Trip-Tick” case has been hardened to be tougher and more scratch-resistant than even the most wrist-clumsy wearer will ever need.

On the superbly finished dial the use of markers, not numerals clears dial space giving the counters plenty of room – clever design which makes this watch look more like a clean sports chronograph than a world timer.  A liberal coating of lume means everything is readable and the sapphire crystal has 9 layers of anti-reflective treatment on each side, why? -  well why not?  Inside is the BE-54AE automatic chronometer with 42 hours of power reserve.

The Bremont ALT1-WT will be available with a choice of dial colours – white, black or blue and comes presented on a calf skin leather strap with a spare NATO military strap and tools required to change it also included.

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Popularity: 3% [?]